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Here's engaging review of Ying Wang’s capturing the essence of the album "RE:Wilding"

  • Writer:  tbHUNKYDORY
    tbHUNKYDORY
  • 6 hours ago
  • 2 min read

Ying Wang – RE:Wilding (Kairos)


Let me introduce you to the captivating world of sound, the new album RE:Wilding. Composer Ying Wang delivers a compelling suite of works that fuse the raw physicality of acoustic instruments with the dynamic possibilities of electronics. This is music that doesn’t merely blend styles—it interrogates them, reconfiguring traditions into something urgent, unflinching, and deeply contemporary.


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  • KAIROS-music.com


  • Ying Wang Composer


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    Each piece on the album reveals a world in flux: fragile, volatile, yet intricately structured. From the eerie shimmer of Noctilucent – I, where Marco Blaauw’s double-bell trumpet converses with live electronics, to the explosive orchestral scapes of 528Hz 8va, Wang’s sonic language is marked by extremes—noise and silence, density and decay, clarity and chaos. The title track, RE:Wilding, performed by ensemble reflektor under Bar Avni, stands out as a manifesto of sonic regeneration, a fierce yet poised articulation of nature reasserting itself through unpredictable textures and rhythmic metamorphoses.


    Wang’s compositional voice remains focused yet flexible across the album. In Copyleft, interpreted by Quatuor Diotima, she dissects the string quartet tradition with wit and tension, while Schmutz, performed by Klangforum Wien, delves into gritty sonic terrains, turning detritus into musical gold.

    This is not ambient commentary on ecological or social themes—it’s active engagement. Wang uses the tools of modern music to unsettle and provoke, giving shape to unrest while offering fleeting glimpses of resolution. These are compositions that wrestle with systems—musical, political, environmental—without easy answers.


    For listeners attuned to contemporary classical music’s more radical edges, RE:Wilding is a rewarding, even necessary, listen. It asserts Ying Wang as a vital voice in the global experimental music scene, one who doesn't just reflect the world but refracts it, ferociously and beautifully.


 
 
 

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